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Description
Performing the Archive: The Transformation of the Archive in Contemporary Art from Repository of Documents to Art MediumInstead of smoothing over contemporary art's violent and iconoclastic dimensions, instead of sanitizing and making complex artworks docile in terms of archival possibilities, this book suggests we abandon our fantasy of mastery over representation and respond in kind to the archive as artwork, to "living" archives, and to reenactments of history with their seamless connections between fiction and non fiction. Among the concepts examined are Vil m
Instead of smoothing over contemporary art's violent and iconoclastic dimensions, instead of sanitizing and making complex artworks docile in terms of archival possibilities, this book suggests we abandon our fantasy of mastery over representation and respond in kind to the archive-as-artwork, to "living" archives, and to reenactments of history with their seamless connections between fiction and non-fiction. Among the concepts examined are Vil m Flusser's techno-imagination, Lygia Clark's and H lio Oiticica's participatory aesthetics, and Paulo Bruscky's and Eduardo Kac's literal performances of the archive. They contribute to the erosion of the archive's former boundaries, stability, function, and meaning. Writing alongside the artists as much as about them, Osthoff examines the archive mise-en-abyme, as it grows increasingly recombinant and generative. Simone Osthoff received her Ph.D. from the European Graduate School and is Associate Professor of Critical Studies in the School of Visual Arts at Pennsylvania State University. An art critic and historian of contemporary art, her numerous essays, focusing on media art practices and issues of historiography, have been published internationally and translated into over eight languages.Binding Type: Paperback
Publisher: Atropos Press
Published: 09/23/2009
ISBN: 9780982530900
Pages: 208
Weight: 0.59lbs
Size: 8.50h x 5.51w x 0.48d
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4.0 ★★★★★
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Product Reviews
★★★★★ 4
A favorite with my dogs but didn't last long
Color: Fox-Crocodile, Color: Fox-Crocodile
These have been a HUGE hit with my aggressive chewers but after less than 3 months, this is all that is left of the poor fox and alligator. My youngest STILL plays with them like they are brand new. I will probably buy them again but wish they were actually designed for aggressive chewers as advertised. I would say it's more for the average chewer. 4 stars because it was a good purchase and a top favorite toy but just didn't last long.
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Reviewed in the United States on March 9, 2026
★★★★★ 5
Too Cute!!!
Color: Fox-Crocodile, Color: Fox-Crocodile
This was a pleasant surprise and especially for the price!!! You get a 2 pack of toys!!!! They are absolutely adorable and made to last!!! Soft and lightweight!!! Has a nice squeakiness which my dog adores. I appreciate that they are made to fold up and Velcro so they become very compact. You can store them so easily and/or slide in your purse, traveling bag or leave one in your car. They fold up to be the size of folded socks. I recommend.
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Reviewed in the United States on June 10, 2026
★★★★★ 3
Our pup loves it (to pieces)!
Color: Fox-Crocodile
Fun toy for our playful pup, but nothing indestructible. She finds a seam and in days, the toy is in bits. Lucky for us, she still enjoys playing with parts! Package of 2. One down, one to go!
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Reviewed in the United States on May 28, 2026
★★★★★ 5
Holds Up Well
Color: Fox-Crocodile
My dog loves this toy and after several months of heavy use he has yet to rip it apart like he's done with every other toy I've bought him. He has a hard time grabbing it with his teeth to play his usual tug of war games.
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Reviewed in the United States on June 8, 2026
★★★★★ 4
Cute
Color: Fox-Crocodile
I love the interactive toys, BUT my dogs are either too destructive or smart because they’ve ripped the little treat part, so I can’t hide stuff in there anymore. Otherwise, they still play tug of war with it. Probably better for smaller or lazy dogs.
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Reviewed in the United States on April 28, 2026