SKU: 22453602066

VELUX GGU MK08 007030 White INTEGRA Centre Pivot Solar Powered Electric Window - 78x140cm

$336.90 $374.33
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Description

VELUX GGU MK08 007030 White INTEGRA Centre Pivot Solar Powered Electric Window - 78x140cmVELUX GGU MK08 007030 White INTEGRA Centre Pivot Solar Powered Electric Window 78x140cm A step up from a manual window is the VELUX INTEGRA GGU. If you want ultimate comfort, the VELUX INTEGRA is the answer. VELUX INTEGRA is the ultimate choice for fresh air and a better indoor comfort. All the same features as the VELUX INTEGRA mains powered roof window but solar powered; an INTEGRAted solar cell automatically charges the window. The solar cell

VELUX GGU MK08 007030 White INTEGRA Centre Pivot Solar Powered Electric Window - 78x140cm

A step up from a manual window is the VELUX INTEGRA GGU. If you want ultimate comfort, the VELUX INTEGRA is the answer. VELUX INTEGRA is the ultimate choice for fresh air and a better indoor comfort.

All the same features as the VELUX INTEGRA mains-powered roof window but solar powered; an INTEGRAted solar cell automatically charges the window. The solar cell requires direct exposure to the sunlight. No need for wiring makes installation even quicker and easier.

Benfits of the VELUX INTEGRA window

Fresh air and a better indoor comfort

Sleeping, showering and cooking all increase the overall humidity levels in our homes. Poor indoor air quality seriously affects our general well being, but a few daily routines can have a great effect on your indoor comfort. Let VELUX INTEGRA roof windows give you a helping hand. Simply use the pre-defined ventilation programs and enjoy automatic airing.

Worry-free home security

No chance of rain

Features

What if it starts to rain and you're not around, or too busy, to close your windows? All of our VELUX INTEGRA roof windows come with a rain sensor that closes your windows automatically if it starts to rain so you never have to worry about the rain damaging your home.

Pre-installed hidden window operator

Silent motor operation

Rain sensor ensures that the window closes automatically in case of rain

Easy installation of mains powered decoration and sunscreening products

Ventilation flap allows fresh air to circulate even when your window is closed

INTEGRAted dust and insect filter

WHITE POLYURETHANE FINISH

Wooden core encased in moisture-resistant white polyurethane; the first choice for humid rooms such as kitchens and bathrooms.

Maintenance-free, which is ideal for out-of-reach areas.

Specially heat treated timber core delivers improved insulation.

High quality moulded polyurethane protects the timber core and is easy to wipe clean.

Centre Pivot

Put fresh air at your fingertips with a centre-pivot VELUX roof window. A centre-pivot roof window is easy to operate - even with furniture beneath. The innovative top control bar allows you to install the window lower than an equivalent top-hung operated roof window to get an excellent view while standing and when seated. We recommend centre-pivot windows if you have to, or wish to, place your window in a low position, for instance: in rooms with a low ceiling or where you'd like a better view of the surroundings below.

70 Glazing

  1. Laminated inner pane with foils for safety
  2. 4mm toughened outer pane for strength

VELUX ThermoTechnology features high performance 100% recyclable EPS insulation material which increases the insulating value The same bracket is used for both recessed and standard installations.

A simple red and blue line system shows where the bracket should be installed Click-on covers make the installation easier, faster and safer, reducing the number of screws required during installation High quality pivot hinges are designed to be highly stable and maintenance free The unique brushed aluminium ventilation flap makes it possible to let in fresh even with the window securely closed.

Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 22453602066

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4.9 ★★★★★
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Verified Purchase
Howard
Bozeman, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 24, 2015
A
Verified Purchase
AlanWarner
Lake Worth, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 6, 2015
C
Verified Purchase
Carole T Emberton
Omaha, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
Verified Purchase
pat delzell
Lake Worth, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
Verified Purchase
B. Kirzner
Dallas, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021

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