SKU: 45289337976

Klappbarer Esstisch Sóley von Valdimar Harðarson für Kusch+Co

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Description

Klappbarer Esstisch Sóley von Valdimar Harðarson für Kusch+CoDieser klappbare Esstisch aus der preisgekrnten Sley Serie, entworfen von Valdimar Hararson fr Kusch+Co, ist eine echte Raritt des Postmodernen Designs der 1980er Jahre. Das Herzstck des Entwurfs ist das hochglnzende Chromgestell, das durch einen intelligenten Faltmechanismus besticht und dem Tisch seine auergewhnliche Flexibilitt verleiht. Die runde, weie Tischplatte mit ihrer charakteristischen schwarzen Kunststoffkante ist in der Mitte geteilt, was

Dieser klappbare Esstisch aus der preisgekrönten Sóley-Serie, entworfen von Valdimar Harðarson für Kusch+Co, ist eine echte Rarität des Postmodernen Designs der 1980er Jahre. Das Herzstück des Entwurfs ist das hochglänzende Chromgestell, das durch einen intelligenten Faltmechanismus besticht und dem Tisch seine außergewöhnliche Flexibilität verleiht.

Die runde, weiße Tischplatte mit ihrer charakteristischen schwarzen Kunststoffkante ist in der Mitte geteilt, was eine vielseitige Nutzung ermöglicht: Der Tisch kann entweder vollflächig genutzt, halb abgeklappt als Konsolentisch an einer Wand platziert oder ganz zusammengefaltet werden. In diesem komplett gefalteten Zustand wird er zu einem extrem flachen Objekt, das sich selbst in kleinsten Nischen einfach verstauen lässt.

Diese Konstruktion macht den Sóley zu einem Meisterwerk der Raumausnutzung, ohne dabei Kompromisse bei der Ästhetik einzugehen. Die grafische Kontrastwirkung von weißer Fläche, schwarzer Umrandung und kühlem Edelstahl spiegelt den Geist der 80er Jahre perfekt wider. Ob als flexibler Esstisch in urbanen Wohnungen oder als skulpturales Sammlerstück – dieser Tisch vereint isländisches Design-Gespür mit deutscher Ingenieurskunst von Kusch+Co.

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SKU: 45289337976

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Matthew D Daugherty
Chelsea, US
★★★★★ 5
Scott Snyder and Co. knock it out of the park
Going into this book, I was pretty apprehensive. I knew that it was a story that came as a direct of result of Grant Morrison's trainwreck of an arch that included Batman RIP and I knew that it had Dick Grayson as Batman instead of actual Batman Bruce Wayne. So the build up was awful, but man, if this isn't one of the finest Batman stories ever penned. Fair warning: this thing is BLEAK. Possibly the darkest Batman story I've ever read. The oppressive atmosphere is captured beautifully in the artwork (alternately Jock and Francavilla). It contains easily the most disturbing panel ever in a Batman comic and I'm honestly hard pressed to think of another one, period. In short, the artwork is spectacular and is the worth the price of admission alone. However, it's the writing that will have you hooked from page one. When I first received this in the mail, I casually picked it up, expecting to flip through and read it later. As soon as I started the first page, though, I couldn't put it down until it was done. The whole thing is just so spectacular. My misgivings about Dick Grayson as Batman completely evaporated when I got further in. Dick Grayson makes an excellent Batman, and what's more, it feels like Dick Grayson being Batman is actually essential to the story. This isn't an instance where it could have just as easily been Bruce Wayne in the cowl, it HAS to be Dick Grayson. Not only does Dick Grayson get a chance to out-Batman even Bruce Wayne, it could very well be the best James Gordon story ever written. Him struggling with his son's problems (I don't want to delve too much into the plot for fear of spoilers) can at times be genuinely heartbreaking, and adds a lot of depth to a character that's more often that not portrayed as Batman's errand boy (even more so than Robin, sometimes). So basically I was going into this expecting a good, not great, story to tide me over until the new Scott Snyder Batman New 52 trade comes out, and instead got what is easily one of the finest Batman stories ever written. I will never doubt Scott Snyder (or Dick Grayson) ever again.
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Reviewed in the United States on February 5, 2013
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Down Pat
Carnegie, US
★★★★★ 5
Good read / Great artwork
Format: Hardcover
Good read, cool twists. Gorgeous artwork, hardcover a great choice.
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Reviewed in the United States on January 18, 2026
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Derrick Adams
Birmingham, US
★★★★★ 5
Awesome
Format: Paperback
Great addition to my collection!
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Reviewed in the United States on March 26, 2026
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brumpike
Lowell, US
★★★★★ 5
great
Format: Paperback
perfect shape
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Reviewed in the United States on April 17, 2025
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ethanhedstrom
Boise, US
★★★★★ 5
Venom verse
Format: Paperback
Nice addition to the venom verse
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Reviewed in the United States on November 6, 2024

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